Although the picture has been acknowledged by any number of critics as well as the Library of Congress, ‘Nothing But a Man’ isn’t necessarily a title that rolls off the tongue when discussing cinematic highlights of the 1960s — yet.
By MARIO NAVES
|
An astonishing show at Athens highlights an epic clash that put a teenage Alexander the Great on the world map and inspires admiration for those who don’t give up the good fight.
By ANTHONY GRANT
|In response to the pandemic, Knock at the Gate since 2020 has provided immersive audio presentations that theater lovers can enjoy from anywhere virtual entertainment can be accommodated.
By ELYSA GARDNER
|
Marley’s story could have easily been the subject of an epic. Instead, ‘Bob Marley: One Love’ brings to mind a description of the recent Priscilla Presley biopic, ‘a minimalist biography.’
By WILL FRIEDWALD
|
An appreciation for material sensuality filters through Harvey’s pictures. Textures are finely wrought; romantic portent is inescapable; and color ‘is a perception in the brain’ that she brings to almost otherworldly saturation.
By MARIO NAVES
|
Whether its second season will end as charmingly as its first remains to be seen, but one thing is certain: Schumer’s journey to self-actualization makes for some genuinely funny moments.
By CARLOS SOUSA
|Although the picture has been acknowledged by any number of critics as well as the Library of Congress, ‘Nothing But a Man’ isn’t necessarily a title that rolls off the tongue when discussing cinematic highlights of the 1960s — yet.
By MARIO NAVES
|An astonishing show at Athens highlights an epic clash that put a teenage Alexander the Great on the world map and inspires admiration for those who don’t give up the good fight.
By ANTHONY GRANT
|
In response to the pandemic, Knock at the Gate since 2020 has provided immersive audio presentations that theater lovers can enjoy from anywhere virtual entertainment can be accommodated.
By ELYSA GARDNER
|Marley’s story could have easily been the subject of an epic. Instead, ‘Bob Marley: One Love’ brings to mind a description of the recent Priscilla Presley biopic, ‘a minimalist biography.’
By WILL FRIEDWALD
|An appreciation for material sensuality filters through Harvey’s pictures. Textures are finely wrought; romantic portent is inescapable; and color ‘is a perception in the brain’ that she brings to almost otherworldly saturation.
By MARIO NAVES
|Whether its second season will end as charmingly as its first remains to be seen, but one thing is certain: Schumer’s journey to self-actualization makes for some genuinely funny moments.
By CARLOS SOUSA
|Tuesday, January 13, 2026
